In my art room, all of the stools are painted by students from years past. When a stool painting starts to fade or get chipped away, it is taken out of rotation and someone from art club usually paints a new design. These stools become well-known icons in the room. Some students race into the room so they can sit on their favorite stool. They are, in effect, putting their bottom on the very image that they adore but they want to "have and to hold" that stool for the 45 minute class period. There are several students that love the Batman stool in particular. The only problem is that the bat logo has completely worn off. There are no signs of Batman anymore. It must have never had a sealant coat put on it. Nevertheless, the stool is still coveted. They race to get close to the Looking Stool, to an invisible image. I guess it is why we stare at historic plaques and gravestones. It's just enough to recall an image for us that was once there. And it seems we humans want to get close to our images.
Here is a short talk by the artist Lynda Barry about the power of the image:
Sunday, March 23, 2014
Sunday, February 23, 2014
Socks in a Bag
From the age of 6 until about 11, I danced in the Sheila Tully School of Irish Dance. (Apparently there is a website now.) We had the laced up leather soft shoes, the ornate celtic designs on dresses, and the night before a feis--the name for the dance competitions--we slept with curlers in our hair. Ouch. (Apparently, the girls wear wigs now.) I cannot find any pictures from this time in my life. A true tragedy.
I remember all of our "practices" in the basement of my Catholic school. We practiced in our Umbro gym shorts, over-sized t-shirts, athletic white socks, and criss-cross-laced-dance shoes. I remember Sheila Tully--Herself--making that distinctly satisfying 'click-click' of a tape into the cassette player and pressing the play button, the distorted accordion sounds would blare, our promenading and hops in rhythmic unison...Doting mothers would stand in the hall chatting while their daughters worked on jigs, two hand reels, hornpipes, and if you were an older girl, the hard shoe dances, too.
Once, when we were lined up in formation with one toe pointed out, Sheila Tully, herself, walked down the line and stopped in front of my toes, "No socks today?" I shook my head no and my face went flush. My mother was not doting in the background during Irish dance class to see this embarrassment and she was certainly not keeping track of my socks. If I wanted to dance with socks, I would have to be the one putting the socks in my bag.
So here I am now, 20 years later, putting socks in a bag. This time I am not going to an Irish feis. I'm heading to Rio to perform in Carnival! My mother is not here to help me pack my socks either. Instead, I am packing for a trip because of everything she taught me. She taught me to do things for myself and to go after what I want. It's her absence, once again, that has shaped her influence on me. A year before my mom passed away, I remember her telling me that she wanted to go to some community dance event at a summer festival. She always wished she danced more. She didn't care if she was the only one over 60. I never had a chance to take her there. But I am taking her spirit with me on this specific journey to Brazil, with enough sunblock for the both of us.
When I told my Aunt Mary about this amazing trip down to Rio de Janeiro to dance with Samba schools, she told me, "You know, your mother always lived through you and all of your adventures. She would have done all the things you are doing if she could."
Last week, I was volunteering at a concert at the Old Town School of Folk Music, the miraculous organization that is helping send a group of us down to Rio. At that concert, I heard this song and it described the feeling of my mom and leaving on this trip. "My mother, she once told me, you you gotta be as bright as you can...my suitcase, it once told me, you gotta be as light as you can."
Vintage two-toned Umbro Shorts |
Once, when we were lined up in formation with one toe pointed out, Sheila Tully, herself, walked down the line and stopped in front of my toes, "No socks today?" I shook my head no and my face went flush. My mother was not doting in the background during Irish dance class to see this embarrassment and she was certainly not keeping track of my socks. If I wanted to dance with socks, I would have to be the one putting the socks in my bag.
So here I am now, 20 years later, putting socks in a bag. This time I am not going to an Irish feis. I'm heading to Rio to perform in Carnival! My mother is not here to help me pack my socks either. Instead, I am packing for a trip because of everything she taught me. She taught me to do things for myself and to go after what I want. It's her absence, once again, that has shaped her influence on me. A year before my mom passed away, I remember her telling me that she wanted to go to some community dance event at a summer festival. She always wished she danced more. She didn't care if she was the only one over 60. I never had a chance to take her there. But I am taking her spirit with me on this specific journey to Brazil, with enough sunblock for the both of us.
When I told my Aunt Mary about this amazing trip down to Rio de Janeiro to dance with Samba schools, she told me, "You know, your mother always lived through you and all of your adventures. She would have done all the things you are doing if she could."
Last week, I was volunteering at a concert at the Old Town School of Folk Music, the miraculous organization that is helping send a group of us down to Rio. At that concert, I heard this song and it described the feeling of my mom and leaving on this trip. "My mother, she once told me, you you gotta be as bright as you can...my suitcase, it once told me, you gotta be as light as you can."
Labels:
Audio,
Brazilian Dance,
Obsolescence,
Samba,
Self-consciousness,
spatial reasoning,
The 90s,
The Irish,
travel
Monday, February 3, 2014
How To Dance Chicago Samba
With only 20 days away from our feet on the streets of Rio de Janeiro, we are practicing our little hearts out in the studio. Hopefully our regional styles are, um, not too apparent when we are dancing in Carnival! Sambaaaaaaaaaaaa!
Labels:
Brazilian Dance,
Chicago Winter,
Collaboration,
Fashion,
iPhone,
Samba
Saturday, December 21, 2013
Thursday, November 14, 2013
A Chair in the Sky
1. I have the most amazing students who keep me going everyday and bring me joy and purpose. There is so much love in my classroom.
2. I have my health. I walk and talk and breathe miraculously everyday. I like walking so much that I will do it--to a beat--in go-go boots for miles at a time.
3. When I have forgotten to eat, my adopted Greek grandmother/landlady next door who doesn't speak English will offer me sustenance. She speaks the universal language of "tupperware-full of-stew" with a chunk of Feta, and Greek coffee. We sit on the back stairwell and watch the leaves change color. It's a lesson in accepting change and the passing of time. Her legs are not doing so well these days, you guys...pray for Anthoula's knees.
4. When I have forgotten momentarily that I am an artist that makes things, I discover a new cartoonist and laugh heartily for the first time in weeks over the idea of pouring lemonade over children to keep them quiet. This comic is from the Moomins series by the great Tove Jansson who I had to look up. She is such a rebel! Look at her picture! Remember: smoking is bad, comics are good!
5. I also had an open house in my studio recently and shared my own cartoons with the public. And gosh darn it, people like them.
6. When I have no more words though, I can still sing... with Polly, with waves crashing on the cold Chicago beach, with my new ukulele chords I just learned.
Fall seven times, get up eight. -Japanese Proverb
Labels:
Art,
Art Education,
Brazilian Dance,
Childhood,
comics,
Greek Coffee,
Memory,
Music,
Ukulele,
Vegetables
Tuesday, October 8, 2013
How to Bury a Fly Named Chester

Students swormed around the scene of the crime, swaddled Chester in tissues, and claimed tupperware as his temporary coffin. Then, students set up signs and made a little alter in the corner where Chester had died. Funeral arrangements began immediately. It just all happened so quickly.
The next day, I asked each student to write on a sticky note what they had learned from Chester the Fly. Even Joe. Some replies: "To not be annoying or else you'll get rubberbanded." "I learned that even a fly can be entertaining during Ms. Fitz's boring activity." "Even flies can have funerals."
Then, I brought my whole advisory group behind the school with the remains of Chester the Fly. We found a good tree and began digging with spoons. Our beloved swaddled Chester was laid to rest with the lessons he taught us entombed with him.
Chester taught me a lot, too. Life is short. Celebrate it.
Labels:
Cemeteries,
Childhood,
Collaboration,
Crime,
education,
Graves,
Melodrama,
Middle School,
Nature,
spatial reasoning
Wednesday, September 25, 2013
Two Hands, One Mind
As I was giving instruction at the front of class the other day, an 8th grade boy sitting right in front of me began to crash around the contents of the pencil bin. While continuing to make noise, he put up his other hand, looked regretfully at me, and apologized for the other side of his body. Who can't relate to those opposing actions that jumble inside of us simultaneously? Who hasn't had opposing forces battle within us? Who hasn't wanted to do one thing, but still did the other thing?
It reminds me of that psychology study where a man whose corpus callosum (the connecting tissue between the two brains) had malfunctioned and he watched as one hand buttoned his shirt while the other hand worked to unbutton his shirt at the same time.
So, what I want to know is, which hand wins?
It reminds me of that psychology study where a man whose corpus callosum (the connecting tissue between the two brains) had malfunctioned and he watched as one hand buttoned his shirt while the other hand worked to unbutton his shirt at the same time.
So, what I want to know is, which hand wins?
Wednesday, July 24, 2013
Caravaggio is Calling
Iphone Blogging from the airport, confirming a bed to sleep in on the other side of the ocean through a series of tubes and screens, and coffee, always coffee.
The original plan was to go to South America but as some of you have heard, South America came to me this summer. South America trip will come later.
I meant to do a couple of things before I flew to Rome: Write a blog post about the samba parade costume I made, see friends in Michigan, find an air conditioning unit, submit myself to Pilates workouts, finish a book, a painting, a comic.
But I'm learning that there is exactly enough time for everything if I accept that it doesn't always happen in the order I expected.
Oops, sorry, Caravaggio is calling. I gotta answer this. Ciao.
Saturday, March 9, 2013
Sunday, February 3, 2013
You never walk the same path twice.
It is an enormous privilege to spend extended periods of time with
middle school students who are growing almost as fast as an infant's brain. I can
literally see them growing, both in height and intellect. I care so
deeply about these students, it physically pulls at my heart. While I was on a run
the other day, one of the eerily warm 60 degree January days, I felt
light opening out of what some people call my heart chakra. It was an orange light. I painted a quick sketch of it (below.) I think
the weather and a hardy run helped, but I attribute it to thinking about
the enormous responsibility of being someone's teacher. I was not on
drugs, everyone, just warm weather endorphins and sensing a real
connection with my students! After the awful obligatory task of reducing a student's learning in art class to a letter grade, I set to reading my mini-surveys they filled out at the end of the semester. I realize more deeply how the smallest and biggest choices I make in the classroom can impact a student. No letter grade or scoring rubric will show that. I love these young people and I'm learning how to show that.

Another part of teaching art to middle school students is emphasizing the importance of respecting your space and the materials you use. Sometimes the emotional maturity needed to perform these tasks (i.e., participate in clean-up time) can only be described through theatrical interpretation by Paul Rudd:


Another part of teaching art to middle school students is emphasizing the importance of respecting your space and the materials you use. Sometimes the emotional maturity needed to perform these tasks (i.e., participate in clean-up time) can only be described through theatrical interpretation by Paul Rudd:
Labels:
Art Education,
cartoons,
Childhood,
Creativity,
drawing,
education,
Melodrama,
Middle School,
Running,
Teaching,
yoga
Sunday, January 6, 2013
Turning the Corner
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Walking on Frozen Lake Huron |
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7th Grade Student Superhero Bedroom. |
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Studio work in Progress |
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Gendered Shapes |
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